Die Fledermaus. The audience responded with consistent enthusiasm, even if a full standing ovation did not materialize. Musically and theatrically – especially in the direction of the principals and the choreography (direction: Anna Bernreitner, dramaturgy: Jana Beckmann) – the work was of an extremely high standard. One had the impression of extremely thorough rehearsal, which had brought great enjoyment to all involved, and of an authentic creative flow that never felt forced. The isolated boos for Patti Basler and the production team at the curtain call were, to us, incomprehensible.
Tag: Orchestra of Zurich Opera
Hänsel und Gretel. Hänsel und Gretel is classed as a children’s opera is a truism. Yet the sight of what felt like half the audience being under ten years old was still surprising – and initially raised the fear that things might become lively and restless in the auditorium. The opposite occurred: with admirable concentration, the young audience followed the action.