Are we addicted now ? We must also consider the impact of “regietheater” and the fanaticism of “political correctness.” These are two forces that are transforming the world of opera. In the name of “political correctness,” every possible reference to anything that does not conform to the new doctrine is modified or eliminated. We are seeing more and more often “Aida” with light skin, Turandot who avoids any possible reference to China, changes to terms in the libretto considered racist, and so on.
All in all, Emma Dante’s direction is acceptable. She limits herself to following the story without trying to force the libretto in search of extravagant readings.
Ernani From the 3rd to the 31st of June 2022, the Opera Theatre in Rome…
Turandot by Giacomo Puccini. Lyric Drama in Three Acts and Five Scenes. Libretto by Giuseppe…
Kát’a Kabanová Kát’a Kabanová (1921), opera in three acts by Leoš Janáček. Libretto by the…
TOSCA Tosca by Giacomo Puccini. Melodramma in three acts. 1899. Libretto by Giuseppe Giacosa and…
Giovanna d’Arco Giovanna d’Arco. Dramma lirico in four acts by Giuseppe Verdi. Libretto by Temistocle…
La Bohème at Circus Maximus According to a well-established tradition, summer productions of Rome’s Teatro…