Tiziano Virgili

REVIEWER

Physicist, professor at Salerno’s University. Opera fan for more than fifty years, with special interest for Russian, Czech, and in general less performed operas. Strongly believes that Great Art doesn’t need updates, and that operas work perfectly just as they were originally conceived.

Opera. Entertainment for tourists?

Opera. Entertainment for tourists?

Opera. Entertainment for tourists? From this point of view, unfortunately, the genre is increasingly in danger of being reduced to “entertainment for tourists”, a category that already represents a significant part of the audience, especially in arenas. This is a sad prospect, considering that in 2023 the art of opera will be proclaimed an “Intangible Heritage of Humanity” by UNESCO.

Are we addicted now ?

Are we addicted now ?

Are we addicted now ? We must also consider the impact of “regietheater” and the fanaticism of “political correctness.” These are two forces that are transforming the world of opera. In the name of “political correctness,” every possible reference to anything that does not conform to the new doctrine is modified or eliminated. We are seeing more and more often “Aida” with light skin, Turandot who avoids any possible reference to China, changes to terms in the libretto considered racist, and so on.

Dialogues des Carmélites

Dialogues des Carmélites

All in all, Emma Dante’s direction is acceptable. She limits herself to following the story without trying to force the libretto in search of extravagant readings.

Tosca

Tosca. The real thing.

TOSCA Tosca by Giacomo Puccini. Melodramma in three acts. 1899. Libretto by Giuseppe Giacosa and…
LA BOHÈME in Rome

LA BOHÈME in Rome

La Bohème at Circus Maximus According to a well-established tradition, summer productions of Rome’s Teatro…