Opera Gazet

Iconoclasten in de opera

Iconoclasts in opera

Vague modernism coupled with psychological groupthink and underpinned by shocking ignorance and a fierce desire to be part of an imaginary cultural elite.

Gesubsidieerde absurditeiten

SUBSIDIZED ABSURDITIES

An unprecedented low point was the unsanitary travesty “Der Freischütz,” performed in 2022 at The Dutch National Opera, prepared in the moldy cooking pot of greaseball and narcissist Kirill Serebrennikov, who seems destined to become house director at DNO.

Dialogues des Carmélites

Dialogues des Carmélites

All in all, Emma Dante’s direction is acceptable. She limits herself to following the story without trying to force the libretto in search of extravagant readings.

Lynn René Bayley

Lynn René Bayley writes great book on opera

Lynn: “After 10 months of intense work, I have finally finished my new book, “Opera as Drama II,” which illuminates the history of the art form from the perspective of drama rather than entertainment.”